![]() ![]() She also undertook several curatorial projects, including Kingdom of the Sun: Indian Court and Village Art from the Princely State of Mewar (Asian Art Museum, San Francisco, 2007). Turning to debates on the category of the folk in South Asia, The Two-Headed Deer focused on narrative strategies that were mobilized by Orissan artists to visualize the epic. Based on extensive fieldwork, The Art of Gupta India offered a groundbreaking analysis of Indian sculpture and architecture of the fourth and fifth centuries. Her distinguished career extended over four decades and included landmark publications such as The Art of Gupta India: Empire and Province (1982) and The Two-Headed Deer: Illustrations of the Rāmāyaṇa in Orissa (1996). Williams joined the faculty at UC Berkeley in 1967, where she held a joint appointment in the Departments of History of Art and South and Southeast Asian Studies. from Harvard University for her dissertation titled Buddhist Wall Paintings of Khotan (1969). from Swarthmore College in 1960 and a M.A. ![]() Born in southern Indiana, Williams received a B.A. She was one of the foremost scholars of South and Southeast Asian art and architecture and, indeed, one of the most well-regarded for her seminal work on fourth- and fifth-century sculpture and architecture as well as later folk traditions. Williams, distinguished scholar of South and Southeast Asian art, passed away at her home in Berkeley on June 16, 2022, at the age of eighty-four. Meegama, Sandra Sardjono, and Alka Hingorani (L-R), June 2012 Joanna Williams with former students Cristin McKnight Sethi, Orna Tsultem, Sujatha ![]()
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